Reviews for Uglies


Booklist Reviews 2005 March #2
/*Starred Review*/ Gr. 7-10. Fifteen-year-old Tally's eerily harmonious, postapocalyptic society gives extreme makeovers to teens on their sixteenth birthdays, supposedly conferring equivalent evolutionary advantages to all. When a top-secret agency threatens to leave Tally ugly forever unless she spies on runaway teens, she agrees to infiltrate the Smoke, a shadowy colony of refugees from the "tyranny of physical perfection." At first baffled and revolted by the rebels' choices, Tally eventually bonds with one of their leaders and begins to question the validity of institutionalized mutilation--especially as it becomes clear that the government's surgeons may be doing more than cosmetic nipping and tucking. Although the narrative's brisk pace is more successful in scenes of hover-boarding action than in convincingly developing Tally's key relationships, teens will sink their teeth into the provocative questions about invasive technology, image-obsessed society, and the ethical quandaries of a mole-turned-ally. These elements, along with the obvious connections to reality programs such as Miami Slice, will surely cause this ingenious series debut to cement Westerfeld's reputation for high-concept YA fiction that has wide appeal. Suggest M. T. Anderson's Feed (2002) and Westerfeld's own So Yesterday (2004) to readers antsy for the next installment. ((Reviewed March 15, 2005)) Copyright 2005 Booklist Reviews.

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Horn Book Guide Reviews 2011 Fall
Westerfeld's unique dystopian "trilogy plus one" receives a full redesign (in hardcover, no less), from covers to trim size and page design, in an apparent attempt to market the books to a crossover audience. [Review covers these titles: Extras, Pretties, Specials, and Uglies.] Copyright 2011 Horn Book Guide Reviews.

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Kirkus Reviews 2005 February #2
With a beginning and ending that pack hefty punches, this introduction to a dystopic future promises an exciting series. Tally is almost 16 and breathlessly eager: On her birthday, like everyone else, she'll undergo extensive surgery to become a Pretty. She's only known life as an Ugly (everyone's considered hideous before surgery), whereas after she "turns," she'll have the huge eyes, perfect skin, and new bone structure that biology and evolution have determined to be objectively beautiful. New Pretties party all day long. But when friend Shay escapes to join a possibly mythical band of outsiders avoiding surgery, Tally follows-not from choice but because the secret police force her. Tally inflicts betrayal after betrayal, which dominates the theme for the midsection; by the end, the nature of this dystopia is front and center and Tally-trying to set things right-takes a stunning leap of faith. Some heavy-handedness, but the awesome ending thrills with potential. (Science fiction. YA) Copyright Kirkus 2005 Kirkus/BPI Communications.All rights reserved.

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Publishers Weekly Reviews 2005 March #3
In this launch title of a planned trilogy, teenager Tally Youngblood is living an unexamined life in a world unlike ours, hundreds of years from now. She's impatiently awaiting her birthday because in her town, Uglyville, everybody gets the same gift at age 16: cosmetic surgery which transforms them into gorgeous creatures. They also move into "party towers" in New Pretty Town. Tally's best friend has already made the transition and, motivated by her desire to see him, she sneaks into town. Her near-capture leads to a new best friend, Shay, who has the same birthday. On the eve of their operations, Shay reveals a plan to escape to a renegade settlement called "the Smoke." When Shay disappears, government agents blackmail Tally into leading them to the rebels. Once in the Smoke, Tally has a crisis of conscience when she learns the surgery is more sinister than she imagined. Teens will appreciate the gadgetry-including bungee jackets and hoverboards that work by magnetic levitation. But plausibility problems creep in, such as Tally leading a breakout of Smokeys from a high-tech compound while wearing handcuffs. As in his So Yesterday, Westerfeld introduces thought-provoking issues, but readers may lose track of the plot while sorting the many messages about how the "Rusties" nearly destroyed the planet. They may also feel cheated when, after 400-plus pages, the ending leaves loose ends to be tied up in the next installment, Pretties. Ages 12-up. (Mar.) Copyright 2005 Reed Business Information.

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School Library Journal Reviews 2005 March
Gr 6 Up-Tally Youngblood lives in a futuristic society that acculturates its citizens to believe that they are ugly until age 16 when they'll undergo an operation that will change them into pleasure-seeking "pretties." Anticipating this happy transformation, Tally meets Shay, another female ugly, who shares her enjoyment of hoverboarding and risky pranks. But Shay also disdains the false values and programmed conformity of the society and urges Tally to defect with her to the Smoke, a distant settlement of simple-living conscientious objectors. Tally declines, yet when Shay is found missing by the authorities, Tally is coerced by the cruel Dr. Cable to find her and her compatriots-or remain forever "ugly." Tally's adventuresome spirit helps her locate Shay and the Smoke. It also attracts the eye of David, the aptly named youthful rebel leader to whose attentions Tally warms. However, she knows she is living a lie, for she is a spy who wears an eye-activated locator pendant that threatens to blow the rebels' cover. Ethical concerns will provide a good source of discussion as honesty, justice, and free will are all oppressed in this well-conceived dystopia. Characterization, which flirts so openly with the importance of teen self-concept, is strong, and although lengthy, the novel is highly readable with a convincing plot that incorporates futuristic technologies and a disturbing commentary on our current public policies. Fortunately, the cliff-hanger ending promises a sequel.-Susan W. Hunter, Riverside Middle School, Springfield, VT Copyright 2005 Reed Business Information.

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VOYA Reviews 2005 June
In a future utopia, everyone is made beautiful on her sixteenth birthday. Tally dreams of being a "Pretty," and waiting for the surgery is difficult until she meets fellow "Ugly" Shay. The girls share a love of pranks but argue about becoming pretty. When Shay runs away to avoid the surgery, she leaves directions for Tally to follow. Shay's defection is noticed, and Tally is given a choice: Lead the authorities to the Smoke, a community of Uglies, or remain Ugly forever. Tally leaves to find Shay, who she fears is in trouble. Upon arriving in the Smoke, she is surprised by the primitive lifestyle, but comes to understand the runaways with the help of David, a charismatic young man who reveals a horrible secret about the Pretties. Tally decides to remain in the Smoke, but her actions trigger a series of catastrophic events This book is quite long and has little payoff. Westerfield sets up an intriguing premise, but the story loses momentum describing Shay and Tally's lives as Uglies, Tally's wilderness trek, and the society in the Smoke, making the narrative frustratingly heavy with detail. There are few surprises, as all major plot points are telegraphed long before they actually happen. Westerfield creates compelling characters and gives them credible reasons for their actions. The book cuts off at a key point, indicating a sequel. Fans of Lois Lowry's The Giver (Houghton, 1993/VOYA August 1993) or Sonia Levitin's The Cure (Silver Whistle/Harcourt, 1999/VOYA June 1999) might enjoy this title, but its length and slow pace will frustrate casual readers.-Merideth Jenson-Benjamin 3Q 4P J S Copyright 2005 Voya Reviews.

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