Reviews for Skim

Booklist Reviews 2008 March #2
Canadian essayist and adult-books author Tamaki and her cousin, an artist, dive into the graphic format by using high school as a fertile setting for pungent commentary on racial, cultural, and sexual issues. Pudgy Asian American Skim suffers the contempt of the popular crowd at her all-girl school and ponders the repercussions of the recent suicide of a local boy. The source of her greatest anguish, however, is her intense love for her drama teacher, Ms. Archer, an affection only briefly requited before the teacher leaves without explanation. The narrative, mainly in diary form, feels accurate and realistic, drenched in a sense of confusion and nihilism, and the art, influenced by Craig Thompson's Blankets (2003), reflects the spare, gloomy emotional landscape in which Skim exists. This story will appeal to many female comics fans, though readers may, in the end, be slightly turned off by a resolution that awkwardly introduces some odd sunlight into the otherwise dark world. Copyright 2008 Booklist Reviews.

Horn Book Guide Reviews 2008 Fall
This stunningly emotional graphic novel charts a season of change in the life of brooding misfit Kim. The story's threads connect and diverge in equal measure, coexisting in an artfully true-to-life jumble told through dialogue, internal narration, and diary entries. Delicate-lined art achieves layers of meaning; dark space and perspective are also used to great effect, grafting emotion onto every scene. Copyright 2008 Horn Book Guide Reviews.

Horn Book Magazine Reviews 2008 #4
This stunningly emotional graphic novel charts a season of change in the life of Kim (nicknamed Skim "because I'm not"), a thoughtful, brooding misfit facing questions of life, death, friendship, and identity. Kim's sole friendship gradually crumbles; her surreal smoking breaks with Ms. Archer, the young, dramatic English teacher, evolve into unsettling romance; and a suicide rocks the all-girls school she attends. The narrative also touches, though doesn't dwell, on Kim's exploration of Wiccan spirituality and the issues she faces as a biracial teen and a child of divorced parents. These many threads connect and diverge in equal measure, coexisting in an artful jumble that is as true-to-life as it is diffuse. The free-flowing combination of dialogue, internal narration, and diary entries is unfussy and immediate, and the delicately lined art alternately expands and contradicts the prose to achieve layers of meaning, tone, and irony. Dark space and perspective are used to great effect, grafting emotion onto every scene, and the simplest details of body language -- Kim's creased brow and hunched shoulders; Ms. Archer's serene, vaguely secretive countenance; a new, wounded friend's pinched mouth and suspicious eyes -- project fully developed personalities. With honesty and compassion, this innovative narrative communicates a life just beginning, open and full of possibility. Copyright 2008 Horn Book Magazine Reviews.

Kirkus Reviews 2008 February #2
A quietly moving graphic novel explores a teen girl's experience with friends, suicide, cliques and love. Both overweight and of mixed ethnicities, Kimberly Keiko Cameron--also known as "Skim" because "she's not"--is slowly moving through high school with her best friend Lisa. Both sharply witty and incisive, the two girls dabble in various forms of self-expression and exploration, like dressing with Gothic flair and trying Wicca. The two girls come to an impasse when Lisa gets an unexpected chance to join the popular clique. Coupled with her tumultuous friendship, Skim also harbors a crush on a female teacher, which leads her to begin to question herself and her desires. Long, languid lines portray Skim's turmoil and angst with pitch-perfect resonance and show how, for teens, time seems to be so drawn out. While Tamaki's faces are sometimes unsettling, the reader has the distinct impression that they should be uncomfortable. Recommend this to fans of Daniel Clowes's Ghost World, who have been waiting for another graphic novel of teen angst and suburban ennui. (Graphic novel. YA) Copyright Kirkus 2008 Kirkus/BPI Communications. All rights reserved.

Publishers Weekly Reviews 2008 February #1

This auspicious graphic novel debut by cousins Mariko and Jillian Tamaki tells the story of "Skim," aka Kimberly Keiko Cameron, a goth girl in an all-girls school in Toronto, circa the early '90s. Skim is an articulate, angsty teenager, the classic outsider yearning for some form of acceptance. She begins a fanciful romance with her English teacher, Ms. Archer, while nursing her best friend through a period of mourning. The particulars of the story may not be its strong suit, though. It's Jillian's artwork that sets it apart from the coming-of-age pack. Jillian has a swooping, gorgeous pen line--expressive, vibrant and precise all at once. Her renderings of Skim and her friends, Skim alone or just the teenage environment in which the story is steeped are evocative and wondrous. Like Craig Thompson's Blankets , the inky art lifts the story into a more poetic, elegiac realm. It complements Mariko's fine ear for dialogue and the incidentals and events of adolescent life. Skim is an unusually strong graphic novel--rich in visuals and observations, and rewarding of repeated readings. (Feb.)

[Page 44]. Copyright 2008 Reed Business Information.

School Library Journal Reviews 2008 May

Gr 10 Up -Kimberly Keiko Cameron-aka "Skim"-is a mixed-race high school student struggling with identity, friendships, and romantic yearning. After her parents' divorce, she turns to tarot cards and Wicca to make sense of life but finds herself disappointed with the lack of answers they provide. She finds herself increasingly intrigued by Ms. Archer, her free-spirited English teacher. Her interest becomes obsessive and it begins to drive a wedge between her and her best friend, Lisa. Although Skim originally makes light of the half-hearted suicide attempts of popular Katie, whose ex-boyfriend committed suicide, the two of them begin to open up to one another. Skim soon realizes that "perfect" Katie is far funnier, more genuine, and more traumatized than she originally thought-particularly when it comes to light that John shot himself due to his homosexuality. Drawn in an expressive, fluid style and with realistic dialogue, this work accurately depicts the confusion of teenage years, with its rejection of previous identity and past relationships and search for a newer and truer identity; additionally, insider/outsider status is a reoccurring theme. Skim's internal monologue is diarylike, with an interesting use of "scratched-out" words. This is a good but somewhat standard work.-Dave Inabnitt, Brooklyn Public Library, NY

[Page 160]. Copyright 2008 Reed Business Information.

VOYA Reviews 2008 June
Kimberly Keiko Cameron, nicknamed "Skim," a goth and aspiring Wiccan, attends a private girls' school with her best friend, Lisa. They are cynical and cool, smoking on the sly, failing to see the relevance of Romeo and Juliet, and marveling at the school-wide hysteria when schoolmate Katie's ex-boyfriend kills himself. But autumn is the time of change. Skim falls for her hippie English teacher, Ms. Archer, and Shakespeare takes on new meaning. Lisa does not understand her moods and absences and reaches out in new directions. Confused and nearly alone, Skim discovers a kindred spirit in the last person she would have expected The Tamaki cousins in their first graphic novel take a huge fistful of typical high school story trappings and distill a beautiful and funny time capsule of real feeling. In the space of one school season, Skim touches on the exhilaration and confusion of unexpected love; the freedom and isolation of being an outsider; friendship and change; and impression versus reality. Jillian's striking black-and-white artwork flows in clear but soft, shaded line work; the book's design in particular flirts with Japanese ukiyo-e. The visual storytelling is firm and often quite lovely. Mariko lets Skim narrate part of the story via a diary, a typical teen story tool used here as a source of insight and humor. The dialogue is natural, and if some of Skim's observations seem a bit too smart, they are also funny. Skim is a refreshing reminder of the inevitability of change and the importance of looking beneath the surface.-Lisa Martincik 4Q 3P J S G Copyright 2008 Voya Reviews.