Reviews for Rapunzel : A Fairy Tale

Booklist Reviews 2005 December #1
K-Gr. 3. This large picture-book edition of Rapunzel features detailed, sunlit paintings, from the wordless double-page spread showing Rapunzel's mother's view of the witch's garden to the scene of joyous celebration when the prince and his family return to his kingdom. Well suited to reading aloud, Bell's translation offers a graceful telling of the familiar fairy tale. A few elements of the bizarre, such as the witch's giant cabbage leaf dresses, complete with snails, slugs, and a small frog pond in the train, add to the sense of otherworldly strangeness and wonder that infuses the artwork. This beautiful book is a natural for those who love "princess tales." ((Reviewed December 1, 2005)) Copyright 2005 Booklist Reviews.

Horn Book Guide Reviews 2006 Spring
Duntze pairs the Grimms' "Rapunzel" text with her own sunny, dreamlike drawings. Food plays an important and psychological role in the glowing, whimsical art, with the young Rapunzel wearing a cabbage dress or reclining on a giant pear cushion, while the witch wears a pattypan squash headdress and is covered in snails. This edition will bear repeated viewings. Copyright 2006 Horn Book Guide Reviews.

Publishers Weekly Reviews 2005 October #3

As with her artwork for The Emperor's New Clothes , Duntze's fanciful illustrations add enchanting new dimensions to this well-loved tale. A wordless spread of the witch's glorious garden makes manifest the compulsion by her pregnant neighbor to secure its contents--though she will come to rue the price (her baby, Rapunzel). The witch, meanwhile, looks human from the waist up, with beefy bare arms and white hair pulled back in unusual buns, but her dress is fashioned from large cabbage leaves, home to slugs, snails and a frog, and partly concealing long, snake-like tentacles. Duntze plays with dimensions to create a sense of fairyland enchantment. Huge human teeth crown the walls around the witch's garden, while inside (obscured from the neighbors' view), dandelion weeds loom large. Layers of gold and rust-colored carpets give Rapunzel's lonely tower cell a cozy feel, as do the yellow pear on which she sits, the enormous snail that serves as her bed, and the stuffed animals that keep her company. The bleak wilderness into which the witch banishes Rapunzel (after learning of the prince's visits) markedly contrasts with the opulence of previous settings, emphasizing the witch's cruelty. In the final scene, the prince returns with Rapunzel and their children to his kingdom, which Duntze portrays as a formal garden set under towering strawberry plants, bringing the visual theme full circle. The arresting art abounds with sensuality and charm, making this version a welcome reimagining of a classic tale. Ages 4-up. (Sept.)

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School Library Journal Reviews 2005 November

K-Gr 4 -Humorous illustrations attempt to transform this rather serious fairy tale into a lighthearted romp that spares children its disturbing chill and darkness. Duntze's playful watercolors are filled with fantastical elements like oversize fruit, clothing made from cabbage leaves, and a bed atop a huge snail. The witch's countenance never gets scarier than that of a loving but stern grandparent. The illustrations also contain a mixture of details that span different time periods and cultures: for example, the husband wears golf shoes; the wife is seen leaning out the window, thus exposing her multiple petticoats; and the prince wears buckled shoes that evoke Puritan times. Multihued rugs and swirling curtains in the tower suggest the Middle East. The scene in which the prince finds Rapunzel and their children has subdued colors and an austerity that is almost biblical. Regrettably, there are no source or author notes. Stick with Paul O. Zelinsky's award-winning Rapunzel (Dutton, 1997), which uses dramatic images to express powerful emotions and depicts one specific era in rich detail.-Kirsten Cutler, Sonoma Library, CA

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