Reviews for LA Verdadera Historia De Los Tres Cerditos/the True Story of the Three Little Pigs
Publishers Weekly Reviews 1989 July #3
In this gaily newfangled version of a classic tale, Scieszka and Smith ( Flying Jake ) argue in favor of the villain, transforming the story of the three little pigs into a playfully suspicious, rather arch account of innocence beleaguered. Quoth the wolf: ``I don't know how this whole Big Bad Wolf thing got started, but it's all wrong.'' According to his first-person testimony, the wolf went visiting the pigs in search of a neighborly cup of sugar; he implies that had the first two happened to build more durable homes and the third kept a civil tongue in his head, the wolf's helpless sneezes wouldn't have toppled them. As for his casual consumption of the pigs, the wolf defends it breezily (``It seemed like a shame to leave a perfectly good ham dinner lying there in the straw'') and claims cops and reporters ``framed'' him. Smith's highly imaginative watercolors eschew realism, further updating the tale, though some may find their urbane stylization and intentionally static quality mystifyingly adult. Designed with uncommon flair, this alternative fable is both fetching and glib. Ages 3-8. (Sept.) Copyright 1989 Cahners Business Information.
School Library Journal Reviews 1991 November
K-Gr 5 --A new slant on an old, familiar tale. The much maligned A. Wolf tells his side of the story and offers benign explanations for his bad behavior. This translation retains the colorful language and sense of fun found in its English counterpart. Some of the vocabulary is regionalized and may not be universally understood by all Spanish-speaking children without adult clarification. The stylized watercolors with dark shadowing, clever use of perspective, and textured detail will appeal to audiences sophisticated enough to enjoy the tongue-in-cheek humor. Copyright 1991 Cahners Business Information.
School Library Journal Reviews 1989 October
Gr 1 Up--Victim for centuries of a bad press, Alexander (``You can call me Al'') T. Wolf steps forward at last to give his side of the story. Trying to borrow a cup of sugar to make a cake for his dear old Granny, Al calls on his neighbors--and can he help it if two of them built such shoddy houses? A couple of sneezes, a couple of dead pigs amidst the wreckage and, well, it would be shame to let those ham dinners spoil, wouldn't it? And when the pig in the brick house makes a nasty comment about Granny, isn't it only natural to get a little steamed? It's those reporters from the Daily Pig that made Al out to be Big and Bad, that caused him to be arrested and sent to the (wait for it) Pig Pen. ``I was framed,'' he concludes mournfully. Smith's dark tones and sometimes shadowy, indistinct shapes recall the distinctive illustrations he did for Merriam's Halloween ABC (Macmillan, 1987); the bespectacled wolf moves with a rather sinister bonelessness, and his juicy sneezes tear like thunderbolts through a dim, grainy world. It's the type of book that older kids (and adults) will find very funny.--John Peters, New York Public Library Copyright 1989 Cahners Business Information.