Reviews for What We Talk About When We Talk About Anne Frank
Booklist Reviews 2011 December #2
*Starred Review* The sense comes easily that Englander, author of the celebrated short story collection For the Relief of Unbearable Urges (1999) and the absorbing novel The Ministry of Special Cases (2007), will always favor the short story form. In his new collection, the reader feels the musculature beneath the skin of his short fiction and keenly appreciates that this is where his supreme power lies. Englander is his own writer. One may think of, say, Bernard Malamud as a possible influence, but which masters, if any, guided him in the early stages of his career have been bid adieu, as Englander sails his own personally mapped seas. His plots are richly developed, and traditional short story techniques are used only when suitable. A case in point is the complex "Sister Hills," which, fablelike in its deep resonance and applicability to human behavior beyond its particular circumstances, sees the growth of a Jewish settlement at various points in time, from 1973 to 2011. But in the drama unfolding in the foreground, one woman gives her child to another woman to protect the youngster from unidentified evil. The stresses between Jewish orthodoxy and a more secular practice of religious life are apparent in the title story, in which two school friends, grown now and with husbands and children, visit together 20 years after one couple moved to Israel and turned Hasidic. Their discussion of lifestyle choices, specifically within the context of a hypothetical second Holocaust, leads to uncomfortable realizations about one woman's spouse. Copyright 2011 Booklist Reviews.
Kirkus Reviews 2012 January #1
Parables of emotional complexity and moral ambiguity, with lessons that are neither easy nor obvious, by a short-story master (For the Relief of Unbearable Urges, 1999, etc.). The title story that opens the collection (evoking in its title both the Holocaust and Raymond Carver) is like so much of the best of the author's narratives, with a voice that evokes a long legacy of Jewish storytelling and the sharp edge of contemporary fiction. It presents the reunion of two women who had been best friends as girls but who have married very different men and seen their lives take very different paths. One is now living an "ultra-Orthodox" family life in Israel, with a husband who insists that "intermarriage...is the Holocaust that is happening now." The other lives in South Florida and has married a more secular Jew, who narrates the story and whose voice initially invites the reader's identification. Yet a change in perspective occurs over the course of the visit, both for the reader and the narrator: "It is the most glorious, and silliest, and freest I can remember feeling in years. Who would think that's what I would be saying with these strict, suffocatingly austere people come to visit our house." Every one of these eight stories casts light on the others, but perhaps the most revelatory is "Everything I Know About My Family on My Mother's Side," in which a writer named Nathan, described as "completely secular" and called "an apostate" by his older brother, insists that this story is "true...Not true in the way fiction is truer than truth. True in both realms." It's the story of how a family stays together and a relationship falls apart, told in 63 numbered sections of a paragraph or two. Like so much of this volume, it seems to exist in a literary sphere beyond the one in which the ambitions of postmodern fiction have little to do with the depths of existence beyond the page. The author at his best. Copyright Kirkus 2012 Kirkus/BPI Communications.All rights reserved.
Library Journal Reviews 2012 February #2
Much like his previous work, this newest collection of short stories from Englander (The Ministry of Special Cases) continues to explore the complexity of Jewish identity through the diasporic experience. An homage to the Raymond Carver short story titled "What We Talk About When We Talk About Love," the first story in this collection features both a secular and an ultra-Orthodox couple discussing the tenants of Judaism under a haze of alcohol and marijuana. The characters in this story oscillate between serious intellectual debate and comical tangents that lead to serious questions, setting the tone for the rest of the collection. Introspective, self-divided, and self-ironical characters recur often in Englander's stories, cutting the heaviness of the darker themes of loss and violence that permeate the narrative. Though many of the stories appear didactic in intention, a man lured into a peepshow is given a performance by his wife, former rabbis, and psychiatrists, Englander suspends the moralizing attitude, passively presenting thinly veiled parables to the reader as open-ended questions. VERDICT A wonderful collection of short stories that will appeal to fans of Etgar Keret and Jonathan Safran Foer.--Joshua Finnell, Denison Univ. Lib., Granville, OH [Page 99]. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Library Journal Reviews Newsletter
In fluid prose, Englander takes on tough topics like Jewish belief, the consequences of the Holocaust, inane suburbia, and contemporary social mores and gives us unexpected answers. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Reviews 2011 December #2
It's a tribute to Englander's verve and scope that the eight stories in his new collection, although clearly the product of one mind with a particular set of interests (Israel; American Jewry and suburbia; writing and reading; sex, survival, and the long shadow of the Shoah) never cover the same territory. Each is particular, deeply felt, and capable of pressing any number of buttons. The title story, which features a reunion of old friends, a lot of marijuana, and a series of collisions between Israel and America and Orthodoxy and laxity, starts out funny and gets funnier, until suddenly it's not a bit funny. "Sister Hills" traces an Israeli settlement from its violent founding to its bedroom community transformation and reads like a myth, simple, stark, and, like many a myth, ultimately horrifying. And as you spend a few days with the beleaguered director of "Camp Sundown," a vacation camp for elderly Jews, you'll find, as he does, that things you think you're sure about--guilt, justice, silence, and the morality of revenge--start to get fuzzy. What we talk about when we talk about Englander's collection turns out to be survival and the difficult--sometimes awful, sometimes touching--choices people make, and Englander (For the Relief of Unbearable Urges), brings a tremendous range and capacity to surprise to his chosen topic. Agent: Nicole Aragi, Aragi Agency. (Feb.) [Page ]. Copyright 2011 PWxyz LLC