Reviews for Coraline
Booklist Monthly Selections - #1 August 2002
Gr. 5-8. Coraline has recently moved with her preoccupied parents into a flat in an old house. The neighbors above and below are odd but friendly: Mr. Bobo trains mice; elderly Misses Spink and Forcible serve her tea and tell her fortune. No one lives in the flat next door. But Coraline knows better, and one evening she discovers what's there: a tantalizing alternate world, filled with toys and food (unlike any of the boring stuff she has at home) and weird-- though wonderfully attentive--parents, who happen to have black button eyes sewn on with dark thread. Although her "other parents" beg her to stay, she decides to leave, but by doing so Coraline sets in motion a host of nightmarish events that she must remedy alone. Gaiman, well known for his compelling adult horror novels (see "The Booklist Interview," opposite), seems less sure of himself with a younger age group. His "nowhere wonderland" setting (think Alice on acid) is magical, deliciously eerie, and well captured in the text and in McKean's loose, angular sketches. But the goings-on are murky enough to puzzle some kids and certainly creepy enough to cause a few nightmares (ignore the publisher's suggestion that this is suitable for eight-year-olds). What's more, Coraline is no naive Alice. She's a bundle of odd contradictions that never seem to gel--confident, outspoken, self-sufficient one moment; a whiny child the next. Gaiman's construct offers a chilling and empowering view of children, to be sure, but young readers are likely to miss such subtleties as the clever allusions to classic horror movies and the references to the original dark tales by the Brothers Grimm. Gaiman has written an often-compelling horror novel, but, as with so many adult authors who attempt to reach young readers, his grasp of his audience is less sure than his command of his material. ((Reviewed August 2002)) Copyright 2002 Booklist Reviews
Horn Book Guide Reviews 2003 Spring
Coraline passes through a door in the drawing room of her new home to a very similar house with an ""other mother"" and an ""other father."" What started out as a world set slightly askew turns nightmarish as Coraline joins the creepy other mother in a game of hide-and-seek for her real parents--winner take all. The danger and the heroine are convincing; the whirlwind denouement will leave readers bemused but elated and slightly breathless. Copyright 2003 Horn Book Guide Reviews
Horn Book Guide Reviews 2009 Spring
This edition of Gaiman's creepy tale about a girl's parallel-world adventure includes an eight-page color insert (rather garish compared to McKean's nuanced black-and-white drawings, but otherwise innocuous) of still images from the upcoming Coraline stop-motion animated movie. Notes from Gaiman and from director/screenwriter Henry Selick plus an excerpt of the screenplay are appended. Copyright 2008 Horn Book Guide Reviews.
Horn Book Magazine Reviews 2002 #6
Out of sorts in her new home, Coraline finds a bricked-up door in the drawing room and, when her mother is out for the afternoon, discovers the bricks have gone and she can pass through to a very similar house with an "other mother" and an "other father." These two creepy specimens (with paper-white skin and black button eyes) want her to stay and be their little girl. Back in her own home, Coraline waits in vain for her parents to return, until at last she catches sight of a mirror image of them and determines she must head back into the alternate house to try to rescue them. What started out as a world set slightly askew turns nightmarish as Coraline joins the other mother in a game of hide-and-seek for her parents-winner take all. Images (white grub-like creatures in cobwebs; a toy box full of wind-up angels and tiny chatter-mouthed dinosaur skulls; the ubiquitous shiny black button eyes pictured in McKean's occasional dark and unsettling sketches as actual buttons) fly at the reader thick and fast, fully evoking the irrational yet unperturbing world of dreams, creating an avant-garde cinematic sweep of charged and often horrific flotsam from the subconscious. One wishes for a little more backstory to add depth and unity to the disparate images and a little more structure around the identity of the other mother (it turns out she resembles a kind of trap-door spider for souls, although exactly what she is or why she set up shop in Coraline's drawing room is left unstated). Still, the danger is convincingly dangerous, the heroine is convincingly brave, and the whirlwind denouement (helped along by a friendly cat and a rather clever ploy on the part of Coraline) will leave readers bemused but elated and slightly breathless. Copyright 2002 Horn Book Magazine Reviews
Kirkus Reviews 2002 June #2
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door. Coraline's parents are loving, but really too busy to play with her, so she amuses herself by exploring her family's new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman's (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child's fears-and the child's ability to overcome those fears. "I will be brave," thinks Coraline. "No, I am brave." When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child's-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child's ability to accept, without question, the eccentricity and arbitrariness of her own-and every child's own-reality. As Coraline's quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing. Not for the faint-hearted-who are mostly adults anyway-but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12) Copyright Kirkus 2002 Kirkus/BPI Communications.All rights reserved
Library Journal Reviews 2007 October #2
One of the most horrifying worlds brought to print appears in Neil Gaiman's children's book Coraline (Perennial: Harper-Collins. 2006. ISBN 978-0-06-113937-6. pap. $12.95). When Coraline explores her family's new home, she discovers a doorway to a world almost identical to her own but with some startling differences. Everything there is the mirror of her old life, including her parents-except for their paper white skin and black button eyes. Does Coraline have the power to escape her horrid "other mother" and return to her normal life? And what will she find waiting for her there? Copyright 2007 Reed Business Information.
Publishers Weekly Reviews 2002 June #4
British novelist Gaiman (American Gods; Stardust) and his long-time accomplice McKean (collaborators on a number of Gaiman's Sandman graphic novels as well as The Day I Swapped My Dad for 2 Goldfish) spin an electrifyingly creepy tale likely to haunt young readers for many moons. After Coraline and her parents move into an old house, Coraline asks her mother about a mysterious locked door. Her mother unlocks it to reveal that it leads nowhere: "When they turned the house into flats, they simply bricked it up," her mother explains. But something about the door attracts the girl, and when she later unlocks it herself, the bricks have disappeared. Through the door, she travels a dark corridor (which smells "like something very old and very slow") into a world that eerily mimics her own, but with sinister differences. "I'm your other mother," announces a woman who looks like Coraline's mother, except "her eyes were big black buttons." Coraline eventually makes it back to her real home only to find that her parents are missing they're trapped in the shadowy other world, of course, and it's up to their scrappy daughter to save them. Gaiman twines his taut tale with a menacing tone and crisp prose fraught with memorable imagery ("Her other mother's hand scuttled off Coraline's shoulder like a frightened spider"), yet keeps the narrative just this side of terrifying. The imagery adds layers of psychological complexity (the button eyes of the characters in the other world vs. the heroine's increasing ability to distinguish between what is real and what is not; elements of Coraline's dreams that inform her waking decisions). McKean's scratchy, angular drawings, reminiscent of Victorian etchings, add an ominous edge that helps ensure this book will be a real bedtime-buster. Ages 8-up. (July) Copyright 2002 Cahners Business Information.
Publishers Weekly Review 2003 August #1
When a girl moves into an old house, she finds a door leading to a world that eerily mimics her own, but with sinister differences. "An electrifyingly creepy tale likely to haunt young readers for many moons," wrote PW in a boxed review. Ages 8-up. (Aug.) Copyright 2003 Reed Business Information.
School Library Journal Reviews 2002 August
Gr 6-8-When Coraline and her parents move into a new house, she notices a mysterious, closed-off door. It originally went to another part of the house, which her family does not own. Some rather eccentric neighbors call her Caroline and seem not to understand her very well, yet they have information for her that will later prove vital. Bored, she investigates the door, which takes her into an alternate reality. There she meets her "other" mother and father. They are very nice to her, which pleases Coraline but also makes her a little suspicious. Her neighbors are in this other world, and they are the same, yet somehow different. When Coraline gets nervous and returns home, her parents are gone. With the help of a talking cat, she figures out that they are being held prisoner by her other parents, as are the souls of some long-lost children. Coraline's plan to rescue them involves, among other things, making a risky bargain with her other mother whose true nature is beginning to show. The rest of the story is a suspense-filled roller coaster, and the horror is all the more frightening for being slightly understated. A droll humor is present in some of the scenes, and the writing is simple yet laden with foreboding. The story is odd, strange, even slightly bizarre, but kids will hang on every word. Coraline is a character with whom they will surely identify, and they will love being frightened out of their shoes. This is just right for all those requests for a scary book.-Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC Copyright 2002 Cahners Business Information.
VOYA Reviews 2002 October
Think of all the stories that would not be if a child could ignore a locked door-from Francis Hodgson Burnett's Secret Garden to J. K. Rowling's Harry Potter and the Sorcerer's Stone (Scholastic, 1998/VOYA December 1998). Here the door in question appears bricked up the first time Coraline opens it, but one afternoon she goes through and discovers a misty world peopled with other versions of the inhabitants of her building-with a few major differences. In this ghostworld, her workaholic parents pay attention to her at last, but they have become creepy beetle eaters with black button eyes. Should she stay or should she go? When Coraline declines to remain in this alternative world and have her eyes replaced with buttons, the other mother kidnaps her real parents to lure her back. One cannot help comparing this tale to Lewis Carroll's Alice's Adventures in Wonderland and its companion Through the Looking Glass. Coraline enters a fantasy world where mirrors figure prominently. She is aided by a talking cat and must participate in a game of sorts to rescue her real parents and reclaim the souls of three other children. Coraline is a more savvy and sensible heroine than Alice, and the lack of nonsense creates a frighteningly realistic fantasy. Lean crisp prose adds to the suspense and propels the story, and the eerie black-and-white illustrations by Dave McKean heighten the nightmarish quality of the tale. Do not read this one before bedtime!-Beth Gallaway. PLB $15.89. ISBN 0-06-623744-0. Illus. 4Q 4P M J Copyright 2002 Voya Reviews